Matrix chronicles film’s direct interplay with light and envrionment as an object itself, showcasing the sheer potential and agency it possesses as a medium beyond its capacity to reflect. Here, 35mm film is photographed through a 120mm camera, capturing abstract and ephemeral relationships between film, light and dust. Without clear references in subject, these vibrant gradients are more pure representations of the estuary’s aura and spirit. Matrix is conveys the negotiations between artist and environment that take place when each photgraph is taken.